Guitar Diminished Scale

In this lesson you learn how to take chords, scales, and other devices and turn them into jazz guitar lines and comping patterns. For example, over Cmaj7, as in the notation below, you start with the tonic, Cmaj7, and you divide the octave from C-C in half, which gives you the note F#. Then, you harmonize that second note with the same chord quality as the tonic, F#maj7, and you alternate between these two chords in your lines.
A recent review of Steve's Out Loud CD states that intelligent compositions and state of the art execution make this an exquisite album that every jazz and fusion guitar lover must have.” Another reviewer notes that the album shows a good variety of guitar styles that evoke lots of other jazz guitar greats without sounding quite like anything else.” Steve recently released a new CD titled There To Here that contains all original music and features some of Colorado's finest musicians.



I thought that much of Allan's approach and style of playing arose from the fact that he did not want to play the guitar as a typical guitar - he was looking to obtain the fluidity and angularity of the saxophone, and I believed that much of this was inspired by the work of John Coltrane.
Another device extracted from basic rhythm-guitar lore, here Josh makes use of referencing the diminished chord, moving up a semitone from the D7. As he explains in the video, at the time he discovered this he didn't know a diminished scale, but his teacher was able to show him a few ideas based around it that formed the basis for the sort of ‘outside playing', employed by players like Robben Ford, later on.

The licks that are contained within the lesson have been taken from my 'Warming up at Licklibrary' Youtube video, which has been described as 'an awe-inspiring demo of insane technique and musicality' and has caused a stir within the guitar community.
Triplets feature 3 notes for every beat in the bar and are counted 1-trip-let, 2-trip-let, etc. The new way of playing the scale is using an alternating pattern of 3 and 1 notes per string. Jazz and blues, 50s rockabilly and western swing, to the funk and jazz fusion of the 70s.
Tom currently plays with and on the albums of some of the best fusion musicians in the world, releasing the highly acclaimed ‘Elba Triangle' album in early 2017 with Virgil Donati, guitar diminished scale Alex Argento, Marco Sfogli and Allesandro Benvenutti. The first step in adding a jazz sound to your playing is learning what to do with chords when comping over jazz tunes.

Below are some jazz guitar lessons from the old website that have not made it to the new one yet. So I have seen a lot of guitar players playing fusion rock but never understood what is actually going on in the theory. In guitar solos by rock, jazz, funk, and fusion guitarists.
In the last two bars he´s using the F major scale and the last tone is a bluesy minor 7th in the key of F. As a performer, Jerry is equally comfortable playing electric guitar, acoustic guitar or resonator guitar. This track features a jazzier vibe than Jackson's other recordings and features some of the chords you're going to look at in today's article.

In the second of this video series M Arenas covers arpeggios and applications over diatonic progressions (in Major, Harmonic Minor and Jazz melodic Minor), blues progressions as well as minor blues progressions. Even when the music stays in the same key say in E-minor all 12 notes can be used and many modes and chromatic notes such as 3,4 and 5 in a row to give it a more unusual sound.
Jazz Fusion Guitar Lesson - Playing Outside with Oz Noy. When learning to play jazz guitar, many of us start off with the blues , modal jazz tunes and standards , often progressing into the bebop and hardbop realms as we develop our skills on the guitar and in the genre.

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